In terms of cast, it has to be said that Gary Oldman looks nothing like Herman Mankiewicz. The olde visuals seem to be the main reason to watch this film, and its this smokey, shadowy, cigarette-burnt, ’40s aesthetic that’s the film’s only positive. The fact that a film about a writer (which intermittently includes script elements) isn’t particularly well written is ironic to say the least. This is basically another love letter to Hollywood’s “great” past like Quentin Tarantino‘s similarly critically overrated shite-fest OUATIH. It's a black and white ode to a period of time that only a select few give a toss about; it’s made for film students, cinephiles, and pompous critics.
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很多年以前看过但是除了隐约记得女主已完全忘记再看却感触很深其实美国白人亏欠当地印第安人是最多的吧不问自取强取豪夺男性一般多长是正常的许多部落因为暴力或疾病被灭族到底谁才是更高的文明可惜印第安人各个部落间也矛盾重重就像引狼入室的自家贼一样影片的最后也是另一个敌对部落的人领着白人军队来围剿苏族人Cisco 和Two socks的被枪杀以及被抛尸的水牛都让人心痛不已人类对大自然所犯的罪最终都会报应在人类自己身上很钦佩Kevin Costner的才华和勇气只有对过往的反思才能让我们不再犯同样的错误P.S. Two socks 这头狼的戏是怎么拍出来的难道是特效太真实了